'Is it possible to draw potential things" ? This was a question raised recently at a conference led by Tim Ingold. The question is about time and drawing as process, but for me it also raises questions about situation and the decision of where to draw. How can I know that what I am going to draw is significant given that the subject isn't news journalism - this isn't a protest, a war. It's a quiet normality that's as much about inaction. Drawing is life unfolding, so the choice of viewpoint is literally that, my view of the world
Stallholder sitting quietly: Abu Dhabi fruit and veg market, Thursday 10.30 a.m
The workshop was held at the Meeting Room of the King’s Museum, Old Aberdeen Town House, University of Aberdeen on 22nd and 23rd October 2015, under the umbrella of the ERC project Knowing from the Inside: Anthropology, Art, Architecture and Design, led by anthropologist Tim Ingold
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